Explain the reasons why left realism emerged Essay - 1

Explain the reasons why left realism emerged - Essay Example eft realism emerged as a reaction to ‘law and order’ politics and to the perceived vacuum in radical left thinking on crime and crime control (Carrabine 79). Ideally, Left realism emanates from a situation that demonstrates the need to focus the social problems in the society. However, many scholars have been questioning the capacity of this theory to address societal problems (HistoryLearningSite 1). In its emergence, the theory of Left realism sought to address the reality of crime for the working class victim and the need to elaborate a socialist alternative to conservative emphases on law and order (Carrabine 79-80). In the mid-1980s, there was a common perception that the efficiency and effectiveness of the police, and criminal justice agencies were performance indicators of maximum crime arrests (Lea 141). However, the Left realism sought to correct this perception by noting that the flow of information about crime from victims and communities to the police, which was a matter of trust, was the key factor that would address crime in the society (Lea 142). This theory achieved this by noting that crime is intra-class and is rampant on poor communities (Lea 142). Indeed, the Left realism aimed at the practical experience of victimization in the poor and working class communities (Lea 142). Notably, the Left realism sought to criticize the views of right-realism that advocated for longer sentences and additional prisons (HistoryLearningSite 1) as the solution to rising crime rates (Lea 142). Indeed, the right-realism was actually not addressing crime in an effective manner and hence the Left realism sought to encourage socialists to address crime in a serious manner (Currie 114-117). During the emergence of the Left realism criminality among the working class was worsening as radical criminologists maintained the social constructionist view of crime and hence the need for the Left realism to curb the problem (Hale et al 86-87). As such, this theory sought

Video Production - The Importance of Documentaries Essay

Video Production - The Importance of Documentaries - Essay Example To take advantage of this broad scope for creativity offered by documentary films, the filmmakers should adopt a script-free approach. Documentaries such as Fahrenheit 911 and Bowling for Columbine, which have garnered much critical acclaim are good examples of this scrip-free approach. The filmmaker needs to possess an eye for spotting key moments in the film before, during and after the production of film content. In the words of a famous cameraperson, â€Å"working creatively and seizing the moment and turning the camera on when things are happening before the rehearsal are important†. To be successful in this approach a passionate approach to work, an elevated cause behind the production and a sense of intuition are all essential qualities in the filmmaker. In the case of Fahrenheit 911, its producer/director Michael Moore excels in all the above aspects (www.documentaryfilms.net). A central unifying concept is essential to organize disparate footages and to integrate the various points of view expressed in it. While interviews and images of talking heads are important elements, there are many nuances to them. For example, â€Å"Interviews are not enough. Interviews may help define the point of view, but they are usually a terribly cumbersome way to get the documentary idea across, because they dont show the topic; they show people talking about the topic. It takes pictures† (Barnouw, 121). The first good example of the utility value of still images in documentaries is The Civil War film made by Ken Burns. By clever maneuvering of camera across each photo, the director lets the viewers know that the rest of the film will revolve around still pictures. The time span of these visuals and the background music are also equally important to make the intended impact on the audience. In The Civil War sound track the rendition of the solitary violin â€Å"spea ks† for the